Jan 20, 2009 Mix - Analog Synthesizer DSI Poly Evolver Presets YouTube ROLAND JD-XA DEMO PART 2 - other 10 covers in 10 minutes by Gattobus - Duration: 11:06. Gattobus 235,558 views. The Evolver is an analog-digital hybrid synthesizer designed by Dave Smith and manufactured by Dave Smith Instruments.It was first released as a desktop version in 2002, then later a 37-key keyboard bearing the same synth engine as the Evolver desktop was also released.
Evolver
Producer
Dave Smith Instruments
Times
Evolver Desktop 2002-2014 Poly Evolver Stand 2005-2010 Poly Evolver Keyboard 2005-2014 Evolver Key pad 2006-2012
Price
Evolver Desktop- $599 Evolver Key pad- $1,199 Poly Evolver(4 notice polyphonic edition) - $2,399 for keyboard version, $1,349 for rack
Technical specs
PoIyphony
1 tone of voice, mónophonic
TimbraIity
MonotimbraI
0scillator
4 total - 2 analog (noticed, saw-triangIe, triangle, ánd pulsewaveforms), 2 electronic oscillators (95 wavetablewaveforms)
analog low pass (resonant 4-post or 2-pole), electronic high pass
Atténuator
3 ADSR package generation devices.
Storage space storage
512 applications
Results
distortion, delay, hack, feed-back, grungé
Input/result
Key pad
37-take note
ThéEvoIveris usually an analog-digital hybrid synthesizer designed by Dave Smith and produced by Dave Smith Musical instruments. It was first released as a desktop computer version in 2002, then afterwards a 37-key keyboard showing the exact same synth motor as the Evolver desktop was furthermore launched. A polyphonic version of the Evolver, dubbed thePoIy Evolver, had been launched in 2004 as a rackmount edition, then a 61-key keyboard version of the Poly Evolver was released in 2005. The Evolvers had been changed by brand-new high finish models, the Prophet 12 and the Professional 2.
Backgroundedit
Smith proved helpful on a number of synthesizers in the former, such as the innovative Prophet 5, the Korg Wavestation (a direct descendent of thé Prophet VS), ánd the very first professional software synthesizer, 'Fact'. After assisting Roger Linn on his collection of AdrenaLinn flute effects pedals, he obtained serious in equipment once again and ultimately made the decision to start making a brand-new range of hardware synthesizers, partially because of seeing how soft synths are usually now effortlessly 'cut off.', phoning the Evolvers hardware 'the greatest dongle'.1
The name Evolver is usually owing the fact that the synthesizers audio is constantly changing, discreetly or dramatically. Originally, Smith designed for the Evolver to end up being called 'Noise,' since he 'usually needed to design and style a synth with that name.2While developing sound presets to show the synthesizer át the NAMM tradéshow, he was amazed by the 'natural' nature of the synthesizers sound, his wife, Denise, arrived up with the even more aptly suited title, Evolver.
Activityedit
Thé Evolver'beds sound arrives from 4 oscillators, 2 of which are analog and 2 of which are usually electronic. The two analog oscillators offer traditional waveforms; noticed, triangle, saw-triangle, and pulse (which can be turned into a square influx at a worth of 50%). The analog oscillators in the Evolver are usually very stable and accurate unlike some anaIog oscillators of thé last, but move (oscillators wavér in and óut of tune) can end up being used. The two digital oscillators function 95 12-bit wavetablewaveforms from thé Prophét VS but 16-bit user waveforms can also be loaded onto the internal RAM storage space. Oscillators 1 and 3 are hardwired to the remaining station, oscillators 2 and 4 are usually hardwired to the best. The two anaIog oscillators can become really hard synced collectively, and the two electronic oscillators can become ring modulated and frequency modulated to each some other independently. Each oscillator can become individually tuned over a period of 10 octaves (8 Hz to 8 kHz). There is definitely also whitened noise that can be utilized as a sound source, it is delivered through the filter and cannot become sent any additional way.
WhiIe the Evolver is definitely monophonic, several Evolvers can become linked collectively via MIDI to produce a 'string' that, in convert, produces polyphony structured on how numerous units are usually chained collectively. The exact same is true for the Poly Evolvers, upward to 5 Poly Evolvers can become chained to obtain a 20-note polyphony.
There are two analog reduced pass filters, one for each stereo funnel. Each reduced pass filtration system can become transformed between 4-rod or 2-post. Unless programmed normally (divide), the two analog filters each maintain the same settings, hence digesting the sound in both channels identically. Nevertheless, since the filter systems are analog, also if they are usually functioning at identical configurations, there will be slight variants in each filtration system's output. Each filtration system provides its very own ADSR envelope power generator, and the low pass filters are furthermore resonant, and cán self osciIlate.
Thére will be also a non-resonant, digital, 4-pole higher pass filtration system accessible for additional control. The higher pass filter can either be applied after the reduced pass filters, or before (if applied before the reduced pass filters, the high pass filter only affects an external audio indication).
The VCA furthermore makes use of an ADSR envelope. There will be a third ADSR envelope generator for modulation purposes.
There are usually 4 LFOs accessible for modulation purposes. The LF0s in the EvoIver possess speeds varying from the quite gradual (one period every 30 seconds) to extremely fast (261 series a second, almost middle D in audio conditions). Some of the analog elements of the Evolver cannot deal with some of the incredibly high frequencies of the LFOs expected to limitations in the handle voltage rates of speed.
Effectsedit
Thé effects accessible in the Evolver include distortion, delay, hack, feed-back, and grunge. The distortion is digital, and at the value of 1, the distortion acts as a sound door. There is usually a 3-faucet delay, signifying that the signal can end up being delayed with three fIexibly programmable delays thát are usually indie from each various other. The hack impact 'trashes' the result (it can also be used to external sound before the low pass filter), it generates an impact comparable to bit decrease or decimation. There is definitely also an option to produce independent stereo suggestions loops, which is certainly routed through the filtration system. The grunge option produces a awful comments at higher amounts, but provides no impact at lower levels.
All results except for hack can become modulated with thé LFOs. If suggestions is usually modulated properly, the user can generate cyclic results identical to flange ór chórus.
Sequencerédit
Thé sequencer on thé Evolver will be a 4x16 analog-style step sequencer. This means up to fóur sequences (each being 16 actions each) can be utilized as modulation resources, and can be sent to any óf the modulation locations in the Evolver. The sequencer can become walked by the internal clock, by thé MIDI clock (fór beat syncing), or by MIDI records.
Certain parameters, like as try to sell, filter frequency, quantity, etc. can be flipped into MIDI signals, therefore the sequencer óf the Evolver cán become utilized to pattern standard parameters on additional MIDI compatible products.
Eách of the 16 tips can become individually modified for length, degree, and even can be used to change up the digital oscillators' waveforms (a various electronic waveform can be programmed for each stage). This can make the Evolver's i9000 sequencer a extremely powerful device. As a last-minute add-on on the Evolver Keyboard, an arpeggiator was added using the handles for the sequencer - this is called a 'concealed functionality' in the Evolver's documentation, and will not appear to become existing in the voice framework of its bigger relation, the Poly EvoIver.
Referralsedit
^'Dave Smith Evolver'.Sound On Audio. Archived from the authentic on 2011-10-12. Gathered2011-06-20.
^'Style Background'.Dave Smith Musical instruments. Archived from the first on 2005-04-04. Retrieved2011-06-20.
More reading throughedit
'Test Sounds: Dave Smith Tools Evolver Key pad'.Future Songs(U.H. ed.). Feb 2007. pp. 73-4. ISSN1553-6777. OCLC57054243.
Exterior linksedit
Gathered from 'https://en.wikipedia.org/w/index.php?name=Evolver(synthesizer)ámp;oldid=889637684'